A Vestal View of Different Sentiments In The Plays Of Tagore

सार

Rabindranath Tagore, a celebrated Bengali poet, playwright, painter, patriot, and philosopher, holds a distinguished place in Indian literature and arts. He made multifaceted contributions in literature, painting, and theater. He skillfully explores complex human emotions and social issues. Tagore’s plays are known for their profound emotional depth, philosophical insights. There is a unique blending of Indian aesthetic principles, particularly the concept of Rasa. Rasa, as defined in classical Indian aesthetics, refers to the essence or flavor of a creative work that evokes specific emotions in the audience. Tagore masterfully incorporates the eight dominant Rasas—Shringara(Erotic), Hasya(Comic), Karuna(Pathetic), Raudra(Furious), Veera(Heroic), Bhayanaka(Terrible), Bibhatsa(Odious), and Adbhuta(Marvelous)—into his plays, showcasing them with nuance and subtlety. Through plays like ‘Chitrangada’, ‘Raktakarabi’, ‘ThePost Office’, ‘Chandalika’, and others, Tagore delves into emotions ranging from love and humor to sorrow, anger, heroism, fear, disgust, and wonder. His works not only entertain but also provoke deep reflection on societal norms, human nature, and the spiritual journey of individuals. Tagore’s dramas remain timeless, blending lyrical language with philosophical questions, making them a cornerstone of Indian literary heritage.